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But so many women have come forward.
That’s why it’s done that way. Because that makes it much more believable. Even going on the assumption that maybe it is true, and I feel very bad that that could be the case, it’s still Trump coming in and being a very humongous threat to a part of the Washington, D.C., culture that actually, in my view, needs to be completely wiped out. That’s the priority I feel.
What drew you to this play?
I know this sounds silly, but actors just like to work. I can do anything. So when something comes my way now it’s like, thank you very much.
Had you heard of Susan Cabot before this?
I had heard of “The Wasp Woman,” although I never had seen it. For this, I watched it all the way through. It’s pretty cheesy, but I wanted to make sure I knew who she was. She had a great face.
Do you think Susan Cabot is a tragic figure?
Well, her son murdered her. That’s tragic. That’s at the top of the list. But her dad left her before her first birthday, and her mother was placed in an insane asylum. Show business might have been the thing that offered her any self-confidence. That was the one thing that had meaning for her. Maybe her career was the one moment where she might have felt like, I’m somebody. There’s a line in the script: “I came from nothing. From less than nothing where people laughed at my dreams.” So she’s pretty messed up.
She didn’t have the career she wanted.
There’s more than just her in this business who can say that. The way in for me, with every part, is I say: What am I going to learn by doing this? And is there anything about the role that I wouldn’t want to deal with? There was a feeling with Susan that there was going to be some damage to deal with. But it is also an opportunity to purge whatever’s there of your own. And when you purge something, it doesn’t haunt you anymore. You cry yourself out, and you really don’t need to cry anymore. You’ve gone to that place of discomfort and it didn’t kill you. I’m still alive.
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